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E15_Size and manage human, technical and economic resources necessary for the development of an audiovisual or multimedia project optimizing time, costs and quality
E17_Write journalistic pieces of different genres with their headline systems and express themselves correctly both in writing and orally
E18_Analyze the structures, contents and styles of television and radio programming according to the technical characteristics of their realization. Design, produce and make programs for television and radio in the technical part: production room or radio control, respectively
T2_That students have the ability to work as members of an interdisciplinary team either as one more member, or performing management tasks in order to contribute to developing projects with pragmatism and a sense of responsibility, making commitments taking into account the available resources
Internships Radio is a completely practical course where students design, produce, perform and write and broadcast a radio program broadcast on a real station for their audience for a year.
Throughout three terms, students, in groups of 3, 4 or 5, are responsible for maintaining their own production on the radio grid in a stable way, with the tutelage and help of the teacher. In this sense, all the knowledge acquired in previous introductions to the radio environment is put into practice and expanded.
This subject has methodological and digital resources to make possible its continuity in non-contact mode in the case of being necessary for reasons related to the Covid-19. In this way, the achievement of the same knowledge and skills that are specified in this teaching plan will be ensured.
At the end of the course the student must be able to:
LO1 Produce, perform and maintain a radio program on a real station.
LO2 Manage a radio file.
LO3 Use voice, silence, sound effects and music in a radio space.
LO4 Use the physical components to be able to make and broadcast radio.
LO5 Make and use the radio script.
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RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context.
RAC2 Collect and analyze audience results and program reception and develop improvement solutions.
RAC3 Apply the techniques of scripting and writing radio products using critical and creative ideas.
RAC4 Innovate new narratives, expressions and sound resources with the language of radio.
RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats.
RAC6 Coordinate the production of a real radio program aimed at a specific audience segment.
RAC7 Supervise the technical procedure for creating and broadcasting a radio space.
100% practical course. The student works in groups from the first day in the radio studio and in the Editorial Board designing, producing and realizing his radio space that will be broadcast by FM and radio online on different platforms.
Through participatory master classes and classroom activities, the group's radio production is guided. Interaction between groups and critical analysis of one's own production, the productions of others and the context of reception are encouraged. The data of the real hearing of each proposal is collected and the evaluation of the aspects of the radio program that work and those that do not. Professionals in the radio environment are invited to complement the training in specialized areas necessary for the production and broadcast of the program.
The dedication of Radio Practices, according to the type of activities, is:
In a large group: 23pm
Guided activities: 26h
Autonomous learning: 101am
Total hours: 150 hours spread over 3 quarters.
This course, due to the situation generated by COVID, perhaps some of the large group sessions will be done in hybrid format: face-to-face and online (via streaming). This would allow students to rotate to face-to-face classes, respecting the maximum number of students per classroom imposed by the distance measures. When they do not have a face-to-face session, they will be able to follow the class online from home.
With regard to internship sessions in smaller spaces (such as laboratories, studios or sets), where appropriate, work will be carried out simultaneously in several spaces in order to ensure that the conditions established by the safety protocols are met.
The course, with constant practical work, deals with the following content blocks:
Content 1: The design of the radio format and structure |
Dedication: 12h |
Large group / theory: 2h Guided activities: 4h Autonomous learning: 6am |
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Description |
The factors to be taken into account when designing a new radio program are worked on. Application of knowledge of radio formats and their organization. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Content 2: The team and professional roles in radio |
Dedication: 10h |
Large group / theory: 1h Guided activities: 3h Autonomous learning: 6am |
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Description |
Distribution of the different tasks needed to broadcast a program. Coordination techniques and teamwork. Editorial board. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Content 3: We fill our program with content |
Dedication: 68h |
Large group / theory: 8h Guided activities: 10h Autonomous learning: 50am |
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Description |
Practice of production techniques, writing and radio appointment in order to create a regular edition of a radio space. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Content 4: The technical process of realization and emission |
Dedication: 35h |
Large group / theory: 4h Guided activities: 7h Autonomous learning: 24am |
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Description |
The processes of creating radio sound resources are worked on. All phases of live and recorded broadcasting are performed for different spaces on the radio grid. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Content 5: The IP Radio |
Dedication: 13h |
Large group / theory: 4h Guided activities: 0h Autonomous learning: 9am |
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Description |
Radio broadcasting processes are performed online. Emission automation settings are adjusted. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Content 6: Promotion and diffusion of the radio space |
Dedication: 12h |
Large group / theory: 4h Guided activities: 2h Autonomous learning: 6am |
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Description |
Campaigns are created for the dissemination and promotion of radio and radio programs in particular. |
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Related activities |
Activity 1: Design and actual broadcast of a stable group radio program. Activity 2: Analysis and individual reflection on the radio strategy. Activity 3: Test about the contents. Activity 4: Presentation of a critical analysis. Activity 5: Classroom activities. |
Activity 1: Design and actual broadcast of a stable group radio program (Contents 1, 2, 3, 4, 5 and 6) |
Dedication: 67h |
Guided activities: 7h Autonomous learning: 60am |
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General description |
In groups of 3, 4 or 5 people the design, production, realization, writing and real emission of a radio space throughout three quarters is realized. It collaborates in tasks of coordination and promotion of the same program and of the transmitter. |
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Support material |
Basic and complementary bibliography. |
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Deliverable and links to the evaluation |
A recorded sample of different editions of the program and a follow-up report must be submitted. 30% of the final evaluation mark. |
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Specific objectives |
At the end, the student must be able to: LO1 Produce, perform and maintain a radio program on a real station. LO2 Manage a radio file. LO3 Use voice, silence, sound effects and music in a radio space. LO4 Use the physical components to be able to make and broadcast radio. LO5 Make and use the radio script. RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context. RAC2 Collect and analyze audience results and program reception and develop improvement solutions. RAC3 Apply the techniques of scripting and writing radio products using critical and creative ideas. RAC4 Innovate new narratives, expressions and sound resources with the language of radio. RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats. RAC6 Coordinate the production of a real radio program aimed at a specific audience segment. RAC7 Supervise the technical procedure for creating and broadcasting a radio space. Skills: E15, E17, E18, G4 and T2 |
Activity 2: Analysis and individual reflection on the radio strategy (Contents 1, 2, 3, 4, 5 and 6) |
Dedication: 12h |
Guided activities: 9h Autonomous learning: 3am |
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General description |
Individually, perform an analysis on the adequacy of the format and contents to the structure of the radio and the receiving social environment. Reflect on a report on new solutions, creative ideas and innovative tools to influence the situation of radio reception. |
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Support material |
Activity template. Basic and complementary bibliography. |
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Deliverable and links to the evaluation |
Deliver analysis and reflection. 10% of the final evaluation mark. |
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Specific objectives |
At the end, the student must be able to: LO1 Produce, perform and maintain a radio program on a real station. RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context. RAC2 Collect and analyze audience results and program reception and develop improvement solutions. RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats. Skills: E17, E18, G4 |
Activity 3: Test about the contents (Contents 1, 2, 3, 4, 5 and 6) |
Dedication: 23h |
Guided activities: 0h Autonomous learning: 23am |
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General description |
Individually, carry out a theoretical test to evaluate the assimilation of the contents of the subject. |
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Support material |
Statement of the test. Basic and complementary bibliography. |
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Deliverable and links to the evaluation |
The answer sheet. The test counts 20% on the final grade of the course. |
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Specific objectives |
At the end, the student must be able to: LO5 Make and use the radio script. RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context. RAC2 Collect and analyze audience results and program reception and develop improvement solutions. RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats. RAC6 Coordinate the production of a real radio program aimed at a specific audience segment. RAC7 Supervise the technical procedure for creating and broadcasting a radio space. Skills: E17, E18, G4 |
Activity 4: Presentation of a critical analysis (Contents 1, 2, 3, 4, 5 and 6) |
Dedication: 10pm |
Guided activities: 5h Autonomous learning: 5am |
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General description |
As a group, carry out a critical analysis of the strategy and evolution of the radio productions of the other groups. Detect strengths and points for improvement and offer solutions to optimize the radio product. Present the analysis in class. |
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Support material |
Statement of the activity. Basic and complementary bibliography. |
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Deliverable and links to the evaluation |
Deliver the analysis. 20% of the final grade. |
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Specific objectives |
At the end, the student must be able to: LO1 Produce, perform and maintain a radio program on a real station. LO5 Make and use the radio script. RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context. RAC2 Collect and analyze audience results and program reception and develop improvement solutions. RAC3 Apply the techniques of scripting and writing radio products using critical and creative ideas. RAC4 Innovate new narratives, expressions and sound resources with the language of radio. RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats. RAC7 Supervise the technical procedure for creating and broadcasting a radio space. Skills: E15, E17, E18, G4 and T2 |
Activity 5: Classroom activities (Contents 1, 2, 3, 4, 5 and 6) |
Dedication: 15pm |
Guided activities: 5h Autonomous learning: 10am |
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General description |
Participation and elaboration of the activities and tasks proposed in the classroom. Some of the activities are in groups and others individually, however the assessment is always individual. |
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Support material |
Statements of activities. Basic and complementary bibliography. |
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Deliverable and links to the evaluation |
Deliver the required tasks. 20% of the final grade. |
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Specific objectives |
At the end, the student must be able to: LO1 Produce, perform and maintain a radio program on a real station. LO2 Manage a radio file. LO3 Use voice, silence, sound effects and music in a radio space. LO4 Use the physical components to be able to make and broadcast radio. LO5 Make and use the radio script. RAC1 Reflect on the best radio communication strategy according to the content to be transmitted and the receiving social context. RAC2 Collect and analyze audience results and program reception and develop improvement solutions. RAC3 Apply the techniques of scripting and writing radio products using critical and creative ideas. RAC4 Innovate new narratives, expressions and sound resources with the language of radio. RAC5 Design formats and structures of radio programs suitable for the different activities of the medium and the different programming formats. RAC6 Coordinate the production of a real radio program aimed at a specific audience segment. RAC7 Supervise the technical procedure for creating and broadcasting a radio space. Skills: E15, E17, E18, G4 and T2 |
The basis of the evaluation of Radio Practices is the design, production and group broadcast of a radio program on a real station (30%). To prepare and improve this issue, an individual analysis is made on the strategy used (10%) and an individual critical analysis on the productions of the other groups (20%). Activities are carried out in the classroom to guide production (20%) and, finally, an individual test is carried out to assess the contents covered and the learning obtained (20%).
Briefly and in detail:
30% Realization of a radio program in group
10% Analysis and individual reflection on radio strategy
20% Test on the contents
20% Presentation of an individual critical analysis
20% Classroom activities
RECOVERY
According to current regulations, only those students who have not reached 5 in the final grade point average of the subject or who have not managed to pass one of the two parts, theory or practice, will be eligible for recovery. Recovery will be only from those unapproved parts.
A written exam will be taken to recover the theory part.
In order to recover the practice, an oral exam will be carried out where practical cases will be posed and exercises of locution and radio realization can be requested.
BALSEBRE, Armand. The language of radio. 4a. Ed. Madrid: Editorial Cátedra, 2004 (Sign and image, 35).
MARTÍ, Josep M. From the idea to the antenna. Radio programming techniques. Barcelona: Pòrtic, 2000 (Eines de periodista, 5).
CUNÍ, Josep. The radio that triumphs. The alphabet of what we call magazine. Barcelona: Pòrtic, 1999 (Eines de periodista, 4).
LÓPEZ, Nereida and PEÑAFIEL, Carmen. Radio technology. Basic principles, development and digital revolution. Bilbao: University of the Basque Country, 2000.
RODERO, Emma. Radio production. Madrid: Ediciones Cátedra, 2005 (Sign and image, 85).
TORRAS, Daniel. The radio. Media, resources and genres. Barcelona: Editorial UOC, 2018.
MARTÍN, Isidoro. The radio script. Barcelona: Pentagon, 1961.
ORDUNA, Guillermo. The Radio Journalist: and… who is on the other side? Madrid: Official Institute of Spanish Radio and Television, 2015.
BALSEBRE, Armand. History of radio in Spain. Madrid: Chair, 2001 (Sign and image, 66).
BLANCH, Margarida and LÁZARO, Patricia. Speech class. Madrid: Cátedra, 2010 (Sign and image, 128).
CEBRIÁN, Mariano. Radio models, developments and innovations: from dialogue and participation to interactivity. Madrid: Fragua, 2007 (Fragua Comunicación, 46).
KEITH, Michael C. Radio production techniques. Madrid: Official Institute of Spanish Radio Television, 1992.
LARRAÑAGA, José. Writing and locution of audiovisual information: writing news for radio and television. Bilbao: University of the Basque Country, 2006.
FRANQUET, Rosa. History of radio in Catalonia in the 2001th century: from galena radio to digital radio. Barcelona: Generalitat de Catalunya, Departament de la Presidència, Direcció General de Radiodifusió i Televisió, 19 (Texts and documents, XNUMX).
RODERO, Emma. Creation of radio programs. Madrid: Síntesis, 2011 (Audiovisual Communication, 9).
RODERO, Emma and SOENGAS, Xosé. Radio fiction: how to tell a story on the radio. Madrid: Official Institute of Spanish Radio Television, 2010.
WILLIAM, Christopher. Writing for radio. London: Bloomsbury Academic, 2015.