What are you looking for?
Position: tutor
Correu Electronic: aperezz@tecnocampus.cat
Research gate: Visit
Professional category: Teacher
Academic training
Qualification | Institution |
---|---|
DOCTORATE IN ENGLISH STUDIES | ZARAGOZA'S UNIVERSITY |
Articles
Year of publication | Title | Author |
---|---|---|
2020 |
“I AM THE SOLE AUTHOR”: INAUTHENTICITY AND INTERTEXTUALITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ SHOE |
2020 |
EXPLORING DEATH AND GRIEF: ZEN IN ZADIE SMITH'S THE AUTOGRAPH MAN |
BEATRIZ PÉREZ SHOE |
2019 |
FIRST-PERSON REFUGEE GAMES: LUDONARRATIVE STRATEGIES FOR PLAYING THE STORIES OF REFUGEES AND ASYLUM SEEKERS |
VÍCTOR NAVARRO-REMESAL AND BEATRIZ PÉREZ ZAPATA |
2018 |
WHO MADE YOUR PHONE? COMPASSION AND THE VOICE OF THE OPPRESSED IN PHONE STORY AND BURN THE BOARDS. |
VÍCTOR NAVARRO-REMESAL AND BEATRIZ PÉREZ ZAPATA |
2018 |
DANCING ACROSS NATIONS: THE TRANSNATIONAL AND THE GLOBAL IN ZADIE SMITH'S SWING TIME |
BEATRIZ PÉREZ SHOE |
2017 |
AN ENDLESS GAME: NEOCOLONIAL INJUSTICE IN ZADIE SMITH'S THE EMBASSY OF CAMBODIA |
BEATRIZ PÉREZ SHOE |
2015 |
DECOLONIZING TRAUMA: A STUDY OF MULTIDIRECTIONAL MEMORY IN ZADIE SMITH'S "THE EMBASSY OF CAMBODIA" |
BEATRIZ PÉREZ SHOE |
2014 |
'IN DRAG': PERFORMATIVITY AND AUTHENTICITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ SHOE |
2013 |
SHAME AND (SELF) PUNISHMENT: TRAUMA AND DIASPORIC IDENTITY IN FADIA FAQIR'S MY NAME IS SALMA. |
BEATRIZ PÉREZ SHOE |