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Position: -
Office: 24
Correu Electronic: aperezz@tecnocampus.cat
Research gate: Visiting
Professional category: Teacher
Beatriz Pérez Zapata holds a doctorate in English Studies from the University of Zaragoza. She is a permanent teacher of the Video Game Design and Production Degree and the Audiovisual Media Degree. His research focuses on the representation of trauma and refugees in literature and audiovisual media, the relationship between literature and video games, the history of video games.
Academic training
| Qualification | Institution |
|---|---|
| DOCTORATE IN ENGLISH STUDIES | ZARAGOZA'S UNIVERSITY |
Articles
| Year of publication | Title | Author |
|---|---|---|
|
2020 |
“I AM THE SOLE AUTHOR”: INAUTHENTICITY AND INTERTEXTUALITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ SHOE |
|
2020 |
EXPLORING DEATH AND GRIEF: ZEN IN ZADIE SMITH'S THE AUTOGRAPH MAN |
BEATRIZ PÉREZ SHOE |
|
2019 |
FIRST-PERSON REFUGEE GAMES: LUDONARRATIVE STRATEGIES FOR PLAYING THE STORIES OF REFUGEES AND ASYLUM SEEKERS |
VÍCTOR NAVARRO-REMESAL AND BEATRIZ PÉREZ ZAPATA |
|
2018 |
WHO MADE YOUR PHONE? COMPASSION AND THE VOICE OF THE OPPRESSED IN PHONE STORY AND BURN THE BOARDS. |
VÍCTOR NAVARRO-REMESAL AND BEATRIZ PÉREZ ZAPATA |
|
2018 |
DANCING ACROSS NATIONS: THE TRANSNATIONAL AND THE GLOBAL IN ZADIE SMITH'S SWING TIME |
BEATRIZ PÉREZ SHOE |
|
2017 |
AN ENDLESS GAME: NEOCOLONIAL INJUSTICE IN ZADIE SMITH'S THE EMBASSY OF CAMBODIA |
BEATRIZ PÉREZ SHOE |
|
2015 |
DECOLONIZING TRAUMA: A STUDY OF MULTIDIRECTIONAL MEMORY IN ZADIE SMITH'S "THE EMBASSY OF CAMBODIA" |
BEATRIZ PÉREZ SHOE |
|
2014 |
'IN DRAG': PERFORMATIVITY AND AUTHENTICITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ SHOE |
|
2013 |
SHAME AND (SELF) PUNISHMENT: TRAUMA AND DIASPORIC IDENTITY IN FADIA FAQIR'S MY NAME IS SALMA. |
BEATRIZ PÉREZ SHOE |