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Position: Professor
Office: 50 (TCM1 P2)
Correu Electronic: smartinezt@tecnocampus.cat
ORCID code: Visit
Professional category: Doctor
PhD in Musicology from the Autonomous University of Barcelona, specialist in analysis, composition and production of music for audiovisual media. He also holds a Bachelor's Degree in History from the University of Barcelona, a Bachelor's Degree in Musicology from the Autonomous University of Barcelona and a Master's Degree in Humanities: Contemporary Art, Literature and Culture from the Open University of Catalonia.
As a teacher, he has worked on the Degree in Audiovisual Media at TecnoCampus, as well as on the Degree in Musicology, the Master's in Musicology, music education and interpretation of early music and the Master's in Teacher Training for Compulsory Secondary Education and Baccalaureate (specialty: Music) from the Autonomous University of Barcelona. Between 2006 and 2022 he was director of the Societat Choral La Floresta, the oldest active choir in Barcelona.
On a professional level, he has a long career as a composer and producer of music for films, stage shows and artistic installations, obtaining recognitions such as the Barcelona Film Award for Best Original Music for Young People (2006) or the Gaudí Award to Best Original Score for Trash (2010). Beach House (2023), the last project in which he participated, won the Award for the best international film at the Mammoth Film Festival in California and the Audience Award at the International Festival of Cinema in Catalan.
Academic training
Qualification | Institution |
---|---|
MASTER IN HUMANITIES: CONTEMPORARY ART, LITERATURE AND CULTURE | OPEN UNIVERSITY OF CATALONIA |
GRADUATE IN HISTORY AND MUSIC SCIENCES (MUSICOLOGY) | AUTONOMOUS UNIVERSITY OF BARCELONA |
GRADUATE IN HISTORY | BARCELONA UNIVERSITY |
DOCTOR IN ART HISTORY AND MUSICOLOGY | AUTONOMOUS UNIVERSITY OF BARCELONA |
Articles
Year of publication | Title | Author |
---|---|---|
2019 |
THE TRANSMISSION OF VALUES AND COMMERCIAL REFERENCES THROUGH THE SONOTYPE. THE INFLUENCE OF SOUND PARAMETERS VERSUS MEDIA STORAGE |
DANIEL TORRAS, SANTOS MARTÍNEZ |
2018 |
A MUSICAL / PARAMETRIC ANALYSIS OF AUTOMOTIVE SOUND LOGOS. ARE THE SECTOR AND BRAND WITHIN THE MUSIC? |
DANIEL TORRAS, SANTOS MARTÍNEZ |
2017 |
ON THE RHETORIC OF ADVERTISING SOUND. RELATIONS BETWEEN SOUND STRUCTURE AND NARRATIVE PLOT IN TWO VOLKSWAGEN SPOTS |
JORDI ROQUER, SANTOS MARTÍNEZ |
2015 |
QUEEN'S SNAKE: THE USE OF AUDIO PRODUCTION AS A MEANS TO SEMANTIC EXTENSION IN QUEEN'S “WAS IT ALL WORTH IT” |
JORDI ROQUER, SANTOS MARTÍNEZ, CARLES BADAL |