General information


Position: Professor

Office: 34

Correu Electronic: jroquer@tecnocampus.cat

ORCID code: Visit

Research gate: Visit

Professional category: Doctor

schools


POLYTECHNIC HIGH SCHOOL

Degree or degrees to which he teaches class


Description of the academic, research and / or professional profile


Doctor in Art and Musicology from the Autonomous University of Barcelona. Accredited PhD Professor in the Degree in Audiovisual Media (Subjects "Audiovisual Language and Expression", "Audio and Sound", "Music Creation" and "Sound Production") Professor of the Department of Art and Musicology at the Autonomous University of Barcelona (Subjects " Music and Cultures ”,“ Ethnomusicology ”and“ Musical Computing ”). Member of the SSIT Research Group (Silence, Sound, Image and Technology, ESUPT-UPF). Member of the MUSC Research Group (Music in Contemporary Societies, UAB) from which he works on the study of sound documents for different research projects, including the direction of the project to digitize the roll collection of piano of the National Library of Spain. As a musician and / or producer he has released more than twenty albums including works for pop artists (El Tercer Hombre, Manu Guix, Macaco, Nubla) musical theater (Grease, What, Little Shop of Horrors, Hair) and cinema (Trash, The Legend of the Countless, Montreal).

Training and Professional Experience


Academic training

Qualification Institution
DOCTOR IN ART AND MUSICOLOGY AUTONOMOUS UNIVERSITY OF BARCELONA
MASTER IN MUSICOLOGY, MUSICAL EDUCATION AND INTERPRETATION OF EARLY MUSIC AUTONOMOUS UNIVERSITY OF BARCELONA
HIGHER DEGREE IN MUSIC. GRADUATE IN ETHNOMUSICOLOGY HIGH SCHOOL OF MUSIC OF CATALONIA
OFFICIAL PRO TOOLS TRAINER CERTIFIED BY AVID TECHNOCAMPUS MATARÓ-MARESME

Scientific activity


Articles

Year of publication Title Author

2015

QUEEN'S SNAKE: THE USE OF AUDIO PRODUCTION TECHNIQUES AS A MEANS TO SEMANTIC EXTENSION IN QUEEN'S “WAS IT ALL WORTH IT” »

ROQUER, JORDI

2018

SOUND HYPERREALITY IN POPULAR MUSIC: ON THE INFLUENCE OF AUDIO PRODUCTION IN OUR SOUND EXPECTATIONS

JORDI ROQUER

2018

EMERGING COLLECTIVES AND NEW LISTENING HABITS: THE CASE OF TWEENS IN THE BARCELONA METROPOLITAN AREA.

JORDI ROQUER, MAURICIO REY

2017

ON THE RHETORIC OF ADVERTISING SOUND: RELATIONS BETWEEN SOUND STRUCTURE AND NARRATIVE PLOT IN TWO VOLKSWAGEN SPOTS.

JORDI ROQUER, SANTOS MARTÍNEZ

2014

FROM PIANO PLAYER TO HERO GUITAR: MUSIC, SOCIETY AND VIRTUAL VIRTUOSISM.

JORDI ROQUER

2019

THE PIANOLA AS A PARADIGM OF MECHANICAL PLAYING MUSIC

JORDI ROQUER

2020

PUBLICATION “BITS, CAMERAS, MUSIC… ACTION! REFLECTIONS ON MUSIC AS AUDIOVISUAL CULTURE ”

JORDI ROQUER; MAURICE REY; GALA SOLO

2020

HISTORICAL SOUND LANDSCAPES: PROPOSAL OF CONCEPTUAL MODEL FOR THE ANALYSIS OF THE SOUND ENVIRONMENT AND ITS AUDIBLE REPRESENTATION

FERNANDO MALDONADO; JORDI ROQUER

2020

MUSICAL PRODUCTION: A CHALLENGE FOR XNUMXST CENTURY MUSICOLOGY

JORDI ROQUER, MARCO ANTONIO JUAN DE DIOS

2021

MEDIA DISCOURSES AND MARKETING STRATEGIES IN THE ADVERTISING OF THE PIANOLA

JORDI ROQUER