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Cargo: Profesor/a
Correo electrónico: aperezz@tecnocampus.cat
Research gate: Visita
Categoría profesional: Asociado / a
Formación Académica
Titulación | Institució |
---|---|
DOCTORADO EN ESTUDIOS INGLESAS | UNIVERSIDAD DE ZARAGOZA |
Artículos
Año publicación | Título | Autor |
---|---|---|
2020 |
“Y AM THE SOLE AUTHOR”: INAUTHENTICITY AND INTERTEXTUALITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ ZAPATA |
2020 |
EXPLORING DEATH AND GRIEF: ZEN IN ZADIE SMITH'S THE AUTOGRAPH MAN |
BEATRIZ PÉREZ ZAPATA |
2019 |
FIRST-PERSON REFUGEE GAMAS: LUDONARRATIVE ESTRATEGIAS FOR PLAYING THE STORIES OF REFUGEES AND ASYLUM SEEKERS |
VÍCTOR NAVARRO-REMESAL Y BEATRIZ PÉREZ ZAPATA |
2018 |
WHO MADE YOUR PHONE? COMPASION AND THE VOICE OF THE OPRESSED IN PHONE STORY AND BURN THE BOARDS. |
VÍCTOR NAVARRO-REMESAL Y BEATRIZ PÉREZ ZAPATA |
2018 |
DANCING ACROSS NATIONS: THE TRANSNATIONAL AND THE GLOBAL IN ZADIE SMITH'S SWING TIME |
BEATRIZ PÉREZ ZAPATA |
2017 |
AN ENDLESS GAME: NEOCOLONIAL INJUSTICE IN ZADIE SMITH'S THE EMBASSY OF CAMBODIA |
BEATRIZ PÉREZ ZAPATA |
2015 |
DECOLONIZING TRAUMA: EN STUDY OF MULTIDIRECTIONAL MEMORY IN ZADIE SMITH'S "THE EMBASSY OF CAMBODIA" |
BEATRIZ PÉREZ ZAPATA |
2014 |
'IN DRAG': PERFORMATIVITY AND AUTHENTICITY IN ZADIE SMITH'S NW |
BEATRIZ PÉREZ ZAPATA |
2013 |
SHAME AND (SELF)PUNISHMENT: TRAUMA AND DIASPORIC IDENTITY IN FADIA FAQIR'S MY NAME IS SALMA. |
BEATRIZ PÉREZ ZAPATA |